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Margit Carstensen
Acting

Margit Carstensen
Known For
Acting
Birthday
1940-02-29,Kiel, Germany
Gender
Female
Biography
Margit Carstensen (29 February 1940 – 1 June 2023) was a German theatre and film actress, best known outside Germany for roles in the works of film director Rainer Werner Fassbinder. Carstensen was born and raised in the northern German city of Kiel. Upon graduation from the local high school in 1958, she studied acting at the Hochschule für Musik und Theater Hamburg. This education led to her first stage appearances in Kleve, Heilbronn, Münster, and Braunschweig. In 1965, Carstensen began a four-year engagement with the German Playhouse in Hamburg. In 1969, she gained a local profile for her work in the Theater am Goetheplatz in Bremen, where she first met director Rainer Werner Fassbinder. She then worked under his direction in a comedy by the 18th-century Venetian Carlo Goldoni, The Coffee Shop (which was recorded for television in 1970), bringing her national attention in West Germany. She subsequently played the role of serial murderess Geesche Gottfried in the premiere of Fassbinder's own play Bremen Freedom (also televised, in 1972), and then in the title role of his Henrik Ibsen adaptation Nora Helmer (televised in 1974) derived from A Doll's House. Outside of theatre, Carstensen played leading roles in the Fassbinder films The Bitter Tears of Petra von Kant (1972), her best-known role for him; Martha (1974), analysing a traditional marriage in a contemporary setting; Fear of Fear (1975); Mother Küsters' Trip to Heaven (1975); Satan's Brew (1976); Chinese Roulette (1976) and Women in New York (1977). She also appeared in episodes of two Fassbinder television productions: Eight Hours Don't Make a Day (1972), and Berlin Alexanderplatz (1980). From 1973 to 1976, Carstensen held a steady acting engagement in Darmstadt. In 1977, she moved to West Berlin where she performed on the highly regarded Staatliche Schauspielbühnen. In 1982, she moved to Stuttgart in order to work with director Hansgünther Heyme, where she appeared in a series of plays directed by him. During this time, Carstensen also worked in international film productions, such as Andrzej Żuławski's Possession (1981) and Agnieszka Holland's Angry Harvest (1985); the latter was nominated for an Academy Award for Best Foreign Language Film. By the late 1980s, she had developed ongoing working relationships with German directors Werner Schroeter, Christoph Schlingensief, and Leander Haußmann. For the 2003–04 season, Carstensen appeared in the Vienna Burgtheater, in the premiere of Elfriede Jelinek's play Bambiland under the direction of Schlingensief. During the 2007–08 season Carstensen assisted with the Austrian-German TV documentary Mr. Karl – A Person for People, directed by Kurt Mayer. In 2016, she was still on television, appearing in the long-running series Tatort. Carstensen received many awards in her career. Among these were the 1973 German Film Awards (Gold), for her acting in The Bitter Tears of Petra von Kant, and the 2002 Bavarian Film Award, for her acting in Scherbentanz. In 1972 she was chosen by the German Film Critics Guild as Best Actress of the Year. In 2019, she was awarded the Götz-George-Preis for her life's work. Description above from the Wikipedia article Margit Carstensen, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Filmography

The Bitter Tears of Petra von Kant

7.4

The Bitter Tears of Petra von Kant
1972-10-05

6.9

Martha
1974-05-28

Agnes and His Brothers

5.8

Agnes and His Brothers
2004-10-13

7.332

Possession
1981-05-27

Chinese Roulette

7.1

Chinese Roulette
1977-02-23

Mother Küsters Goes to Heaven

7.6

Mother Küsters Goes to Heaven
1975-07-07

The 120 Days of Bottrop

5.1

The 120 Days of Bottrop
1997-10-25

6.3

Satan’s Brew
1976-10-07

6.2

Fear of Fear
1975-07-08

It Is Fine! Everything Is Fine.

6.3

It Is Fine! Everything Is Fine.
2007-11-21

100 Years Of Adolf Hitler: The Last Hour In The Führerbunker

6.8

100 Years Of Adolf Hitler: The Last Hour In The Führerbunker
1989-02-18

The Third Generation

5.9

The Third Generation
1979-05-30

La moitié de l'amour

0

La moitié de l'amour
1985-08-01

Tenderness of the Wolves

5.6

Tenderness of the Wolves
1973-07-12

4.7

Terror 2000
1993-01-28

6.4

Finsterworld
2013-10-17

6

Bremen Freedom
1972-11-12

The Coffee House

5.3

The Coffee House
1970-05-18

5

Manila
2000-06-29

0

The Ancestress
1971-12-20

6.2

Angry Harvest
1985-02-20

Die wilden Fünfziger

2

Die wilden Fünfziger
1983-09-23

Hands off Mississippi

6.9

Hands off Mississippi
2007-03-22

The Niklashausen Journey

5.4

The Niklashausen Journey
1970-10-26

0

Mister Karl
2008-03-30

Women in New York

5.7

Women in New York
1977-06-21

Adolf and Marlene

6

Adolf and Marlene
1977-04-15

Shattered Glass

6

Shattered Glass
2002-10-31

0

Liebeskonzil
1982-03-12

Fassbinder: Love Without Demands

6.4

Fassbinder: Love Without Demands
2015-02-07

6.2

Fassbinder
2015-04-30

7.1

Nora Helmer
1974-02-03

Gesche's Poison

0

Gesche's Poison
1998-01-01

6.7

Sonnenallee
1999-10-07

John Gabriel Borkman

0

John Gabriel Borkman
2000-05-27

Rider of the Flames

0

Rider of the Flames
1998-05-26

Der Narr und seine Frau heute Abend in Pancomedia

2

Der Narr und seine Frau heute Abend in Pancomedia
2002-04-11

Spiel der Verlierer

0

Spiel der Verlierer
1978-10-12

Eine Kirche der Angst vor dem Fremden in mir

0

Eine Kirche der Angst vor dem Fremden in mir
2009-05-02

Schlingensief – A Voice That Shook the Silence

6

Schlingensief – A Voice That Shook the Silence
2020-08-20

Mea Culpa – A ReadyMadeOpera

0

Mea Culpa – A ReadyMadeOpera
2009-10-11

0

Anwalt Abel
1988-09-04

6

Derrick
1974-10-20

Scene of the Crime

6.2

Scene of the Crime
1970-11-29

German Film Award

6

German Film Award
1951-06-06

Bavarian Film Awards

0

Bavarian Film Awards
1979-12-01

Vorsicht Falle!

0

Vorsicht Falle!
1964-03-24

World on a Wire

7.2

World on a Wire
1973-10-14

Berlin Alexanderplatz

7.3

Berlin Alexanderplatz
1980-10-12

Berlin Alexanderplatz

7.3

Berlin Alexanderplatz
1980-10-12

Eight Hours Don’t Make a Day

7.6

Eight Hours Don’t Make a Day
1972-10-29

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